Amy Poehler's Moxie is the narrative version of Feminist Organizing 101, made with the white, teenage set in mind. If that sounds tiring, know that Poehler brings her singular ability to make do-gooding fun and while its white feminist reach is limited, Moxie manages to inspire.
Bad Attitude: The Art of Spain Rodriguez Explores the Legacy of a Cartoonist Who Reserved the Right to Objectify
Toward the end of her documentary Bad Attitude: The Art of Spain Rodriguez, director Susan Stern asks in voice-over, “Did I make this film to defend Spain? Or to defend myself?” It’s a telling question, one important enough to justify Stern briefly putting the focus on herself and taking it away from her husband and […]
Of Women and Salt: A Beautiful Novel from Flatiron Books Rubs Salt in the Wounds of the Black Caribbean
A complex and nuanced story of mother-daughter relationships developed across five generations. But while Garcia attempts to contribute to the larger conversation of race and ethnicity in Cuba, but the depictions of Black Cuban characters lean heavily on age-old stereotypes defined by theft and criminality.
Mariana Enriquez’s The Dangers of Smoking in Bed joins the ranks of magic realism's finest short story writers with a group of off-kilter tales enlivened by captivating unease.
Sylvie's Love relegates whiteness to its rightful place: This isn't Harlem gentrified by our concepts of unity twenty years into the 21st century.
It will entail secret rooms, padlocked trunks, maternal brutishness, and leather cuffs about the wrists and ankles. It will be psychotic. It is called love. A survey of films where women curiously love other women in lieu of their own mothers.
We’re revisiting some of the work we first published. In a “Nation of Kevins,” Myriam Gurba discusses why Home Alone is the perfect emblem for the USian response to the pandemic. It also instructs us as to why we ought to defund the police. Plus, it's about Christmas.