Katharine Coldiron's new column Melodrama-Rama takes readers on a beguiling tour of the world of melodrama.
In his book "The Nineties", Chuck Klosterman is not interested in what’s conventionally understood or easily graspable but in the layers that either exist deep underneath or hover loftily. It’s what makes his essays and books so fun—it allows us to reconsider accepted wisdom.
Nadra Nittle takes meticulous inventory of the ingredients that enliven Toni Morrison’s spiritual vision.
This imagined town in North Carolina, where all of Kenan’s stories take place, is home to preachers, farmers, Black and white people, the rich and poor. In this town lives a queer Black boy, Horace Cross, whose life is being shrunk by the social boundaries delimiting his desire, the same machinations of shame and disregard that turn many young Black queer people into ghosts of themselves.
I’m getting ready for the function at the junction And baby you’d better come on right now Because everybody’s gonna be there We got people comin’ from everywhere – “Function At The Junction,” Shorty Long, 1966 There’s a long, long legacy of Black folks gathering around food and funk, bbq sauce and song. Before we […]
I first did mushrooms with a green-haired mermaid. It was Halloween, we were at an off campus party, and the sea creature invited me to climb into the back of her Bronco with these magic words: “I love your work.” By “work,” she meant the diary entries I posted online, which were mostly about cigarettes […]
Through personal narrative, journalist, survivor, and activist Shiori Ito examines rape culture in Japan.
The most interesting mystery novels don’t announce themselves as such. There is no murder to solve or culprit to apprehend. Rather, events which have no obvious explanation unfold and an air of ambiguity surrounds them. Kiese Laymon’s novel Long Division belongs to this category of mystery.
We desperately need documentaries to help us understand how Trump won the 2016 election. Not only does The Accidental President fail to perform this type of analysis, but the movie also stymies it, giving those who participated in the grooming and installation of pro-fascist leader a platform from which to manipulate history.
Executive Order challenges viewers to re-think the post-apocalyptic format and hero-making narratives, flipping the script on a genre that has long reinforced racism, centering Black humanity as a racist government lead by an evil Karen tries to force all Black people to repatriate to Africa as a form of reparations.
I could go on and on about these collaborations, but I don’t have enough space here to describe how wonderfully, gloriously, and lovingly enthralling they are. There are poems about birth and the body, stories of misogyny at a university and of grappling with a miscarriage. These works explore heritage, family, gender, love, and in the case of the inimitable Diane Seuss, tits. Altogether, they typify the robust state of contemporary poetry.
The Hard Crowd offers us a portrait of Kushner through her preoccupations, obsessions, concerns, affinities, and distastes. Her writing on others is always writing about the self and in this sense, she is always doing donuts, flashing the lens externally so as to make an entire revolution, pointing the eye inward once again.
In rock musician Michelle Zauner's memoir "Crying in H-Mart", food is not just a vessel to memorialize her mother but a touchstone for accessing her Korean heritage.
Pola Oloixarac’s Mona (translated from Spanish by Adam Morris) is a devastating and harrowing satire of the literary world, an alternately hilarious and piercing examination of the culture surrounding books.
Amy Poehler's Moxie is the narrative version of Feminist Organizing 101, made with the white, teenage set in mind. If that sounds tiring, know that Poehler brings her singular ability to make do-gooding fun and while its white feminist reach is limited, Moxie manages to inspire.