No daughter should live in terror of her dad and prolonged fear of a caregiver, especially a masculine one, indicates that someone may be experiencing coercive control, an ongoing form of gendered oppression characterized by a combination of conditions which are documented by Framing Britney Spears.
Elitist sandwich expert and NYTimes columnist David Brooks writes that the desire of public school teachers not to die of covid is a disaster for children. Myriam Gurba disagrees.
Using the word "brave" exalts certain traumatized people as heroic and casts others as failures. All victims of assault deserve to have their experiences dignified with validation, not just those who earn it through "bravery."
The classroom is where many white women may mimic the power of a strongman and the power asymmetry widens when a white teacher is placed in charge of a racially minoritized class of students.
féi hernandez writes poetry con y del corazón. Their new collection, Hood Criatura, tells emotionally intimate stories crafted in imagistic Spanglish.
Eating while beautiful isn't heroic. Neither is rubbing glitter into your butt's stretchmarks: Myriam Gurba on the weaponization of body positivity by Hilaria Baldwin and others.
Sometimes, it sucks to be a body. Other times, it’s fun. Lingerie is one of those gifts that makes being a body fun. Putting it on is to swaddle yourself in ribbons, bows and straps that speak on your behalf. They assert, “Bitch, I’M the gift, a gift to MYSALF.”
A Conversation with Writer, Musician, Dancer, Filmmaker, Performance Artist and Legend Brontez Purnell: "My dad would always try to make me go fishing and there was a time a couple of years ago where I really wrestled with the idea of writing the erotic adventures of Huckleberry Finn... Scott O’Hara clued into my writing when I was younger. There's a picture of him where he has this huge hard-on and a skateboard or whatever. I read his memoir when I was 18 or 19 and the writing was like, “And then he separated my glistening cheeks and I achieved nine orgasms.”
One of the things I fantasized about was growing tall. My family does produce statuesque Mexicans so I believed that this goal was attainable. As a result of early childhood caffeination, I topped out at five feet. Tasteful Rude, however, is the manifestation of another early dream.
I grew up during the 80s, in a household so Mexican a statue of Mictlantecuhtli sat on the mantle, and this environment made Hughes’s films matter to us in ways they didn’t for our peers. The movies gave assimilationist lessons, transmitting important cultural information to my brother, sister, and me. We relied on these films to teach us what white Americans expected of us.